A huge fan of Citroën, his taste for great mechanics and design comes from a childhood spent amongst his artist father’s collectors cars.
After completing his studies, Fabrice managed to work as a designer before finally deciding to commit 100% of his time to art.
The metaphors used in his work are autobiographical and take a critical look at consumerism, migratory phenomena and the pharmaceutical industry’s place in society.
Fabrice Hermans offers us powerful graphic creations that question the challenges faced by society today.
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